FIRST INTERNATIONAL TRIENNIAL OF PERFORMANCE DEFORMES

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Thank you Gonzalo Rabanal, for curating Deformes in these extraordinary times. And for creating space to reflect on such a relevant contemporary issues: the digital reduction of the body, the body as ‘war machine’ for protest, but also space for rituality.


Part of Deformes are also:
International artists:
Alastair MacLennan-Ireland, Alejandra Glez-Cuba, Alexia Miranda-El Salvador, Andrez Olmos-Bolivia, Ana Vela-Ecuador, Andrea Cárdenas-Argentina, Anastasia Yeremeyeva- Russia, Barbara Le Beguec Friedman-France, Boris Nieslony-Germany,
Camillat Camillat- Brazil, Carmen Lafran – Germany, Christine Brault-Canada, Chumphunut Phuttha-Thailand, Chumpon Apisuk-Thailand, Cinthia Vargas-Ecuador, Daniela Giebel-Bolivia, Dani d’Emilia- Portugal, Emilio Santisteban-Peru, Evamaria Schaller-Germany, Leafa Wilson-New Zealand, Juan Angel Italiano-Uruguay, Javier Sobrino-Argentina, Jessica van Deursen -Netherlands, José Roberto Sechi – Brazil, Khaing Su – Myanmar, Kiyo Gutierrez-Mexico, Olga Kozmanidze- Germany/Russia, Manuela Maroli -Italy, Marcela Cadenas-Colombia, Markus Goessi-Switzerland, Marton Robinson-Costa Rica, Mauritz Tistelo-Sweden, Mohammed Abd Alwasi-Irak, Mongkol Plienbangchang-Thailand, Moon Jaeseon-Korea, Nenad Bogdanovic-Serbia-ex-Yugoslavia, Nina Claire -Norway, Peter Baren-Netherlands, Ras Sankara Agbok-Togo, Razieh Goudarzi-Iran, Smitha Cariappa-India, Sanjoy Chakraborty-Bangladesh, Saurganga Darshandhari-Nepal, Sophie Dupont- Denmark, Sophie Scheifele and Olivier Schlund -France, Takumi Hashimoto-Japan, Yeuk To-Hong Kong, Yvette Teeuwen -Netherlands, Uma Banerjee-India, Vaida Tamos Eviciute- Lithuania.
Local artists:
Carmen Berenguer, Hernán Parada Gonzalez, Brisa MP and Manckacen, Estela Morales, Mar Marianne, Paz Jara, Ginés Olivares, Carolina Jerez Berenguer, Carolina Hernández,
Gonzalo Rabanal.
The First International Triennial of Performance Deformes is possible thanks to the financial support of the Chilean Culture Funds FONDART 2020 and has the dissemination support of Galpón Tinajas, Centro Cultural Ruda y Centro Cultural Candelaria.


 

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